Tag Archives: Chronicle Books

Signing (w/ a side of bugs)

photo courtesy of Josh Keppel (again!)

photo courtesy of Josh Keppel (again!)

If you’re in the East Bay next weekend, make sure to stop by Eclectix Gallery on Saturday, June 20th between 6-8pm.  Not only is it the closing party for the “All Gurlz” show, not only will I be there signing books, but some folks from the Insect Discovery Lab will be there with a “hands on” display of bugs including African Millipedes, Lubber Grasshoppers, Darkling Beetles, Walking Sticks, Hissing Cockroaches and more.  (I will hopefully be encased in some kind of bug-proof plexiglass cubicle through which you can pass me bug-free books to sign.  I fucking hate giant bugs I’m not so into the “hands on” aspect of the insect world, thank-you-very-much.)

Signing, Closing Party and Horrific Bug Display:  Saturday, June 20th, 6-8pm, Eclectix Gallery & Store, 10082 San Pablo Ave, El Cerrito, CA 94530.  Come support a local woman-run business and have some fun to boot!

Exclusive! Superb! Boomin’!

If you haven’t gotten your fill of interviews or perhaps just wondered why I like chocolate so much, here’s an Exclusive Interview to chew on (it says it’s exclusive right at the top so it must be true).  In other “pourin’ sugar on me” news, over here I am “superb!”  And for those of you who were wondering how the boom box finally turned out, it looks like this:

Mocking Box (The Rap Wars)

Mocking Box (The Rap Wars)

I’m ever so grateful to have all this external content to post ’cause I haven’t had time to write/post much myself in the crazy gear-up for the opening this Saturday.  (Quick reminder:  Sat. May 9th, “Into The Woodz” opening and launch party for “On Tender Hooks” at the Shooting Gallery, SF, CA, from 7-11pm.)

What A Way To Start The Day

picture-6

Is there anybody who wouldn’t like to see the word “genius” in the same sentence with their name?  (Except maybe for “Who’s the genius that screwed this up?”)  If you didn’t see the link in the comments, I just had to wave this around a bit because it’s such a lovely, lovely review.  Angela Cardone, arts and culture producer for KPBS Radio, pours some sweet sugar on me with “The Pop Culture Genius of Isabel Samaras.

Chatty

Chronicle Books (not the entire building and staff, just a couple of really lovely CBers, Patti and Bridget) came to the studio and made this swell little video of their visit.  I’m giving a petite tour/sneak preview of some of the paintings for the show and of course showing the book some love.  (Clearly in this still I’m talking about large, juicy melons…)

It’s Here!

I’ve touched it.  The book.  It’s here!  Chronicle sent an advance copy and boy howdy is it purty.  (The note they tucked into it says “TA DA!”)

I can't quite believe it's real

I can't quite believe it's real

One of my favorite features is the “dissected painting” — based on old medical books where you’d lift the paper “skin” flap to see the muscles, then lift that to see the organs, etc.  This one shows the sketch of the painting, the underpainting and the final finished piece.  (If you’re paying attention you’ll see the wolf prince was originally going to be sitting in/leaning on some kind of chair/throne which I’d originally thought would have a carved wolfy-gargoyle on it, but it kinda shifted as I was painting to be a live wolf and moved outdoors.)

In production we called this "the flappy thing".

In production we called this "the flappy thing".

Aaaaand the postcard book, which is just gorgeously packaged (I can compliment that part freely since I had nothing to do with it, it’s all the delicious design work of Catherine Head).

The outsides...

The outsides...

... and the insides!

... and the insides!

Much much much glossy goodness all around.

“Blog?”

Still sick.  So terribly sick of being sick.  You know what “blog” sounds like to me?  It sounds like a really good descriptive word for the stuff coming out of my nose today.  ”Wow, that is some major gooey blog you got there!”  

So that would be the bad kind of blog. Here’s the good kind!  Chronicle blogged a bit about the Limited Edition version of my upcoming book, and you can read all about it right here.  You can even pre-order a copy (and save $100).

oth_le_case1

The wrap-around artwork for the LE box

A few extra tidbits of info, if anybody’s interested.  The print is being produced by Urban Digital Color, who’ve earned a reputation as one of the country’s foremost printing presses (they were one of the first companies to produce digital prints for artists and photographers).  The paper for this particular print will be super gorgeous 100% cotton rag Hahnemühle paper.  Founded in 1584, Hahnemühle is the oldest German paper mill still producing papers for traditional and digital art.  Hot diggity!  Should be maximally fabulous.  (Not that I’m biased or anything.)

You can also pre-order the de-lovely and delightful regular edition of the book right here, (and when I say “regular,” you should know it is quite keen and includes some very special things like a “lift the flap” reveal of a painting in progress among other goodies) and the accompanying postcard book stuffed with 30 full color images right here!  That’s a lot of excitement for one email.  And now I’ve got a hot date with a big pot of tea and a box of Kleenex….

Where the Hell Did You Get That Banana At?!

“On a traffic light green means go and yellow means yield, but on a banana it’s just the opposite.  Green means hold on, yellow means go ahead and red means where the hell did you get that banana at?!?” — Mitch Hedberg, R.I.P.

red-word

I meant to post this on Valentine’s Day but got taken down by some evil germs and forgot.  So slightly belatedly, here’s RED!

I love red.  People who’ve seen my house or my plants (or me most days) might also notice I’m quite fond of orange.  Oh hell I really like to indulge in color, period.  But let’s focus on red today.  (We’ve already talked about black and maybe we’ll do the whole spectrum eventually.)

Red is a wildly energizing color.  It symbolizes strong emotions like love and war:  red is Cupid and the Devil.  People who study the effects of color on we humans have shown that red is literally stimulating:  it raises your blood pressure and heart rate, it’s gets your appetites up, which is supposedly why a lot of restaurants and bordellos are red. (And as you might imagine, blue is very calming.)  This is true even for color blind people — the rods and cones in your eyes process the colors the same way, send the same signals to your brain, even if you’re only seeing shades of grey or brown.  Red is the color of emergencies (police lights and flares) and the color of sex (lipstick and “red light districts”).  You can “see red” or have a “red letter day” or “paint the town red.”

red-stuff

The god Thor had red hair (not in the comics where he’s inexplicably blond, but you know, in real life) and all the red animals were sacred to him:  foxes, robins and squirrels.  (Sorry Thor but squirrels are currently on my shit list because they eat all my figs. I used to hand-feed them peanuts but I’m about ready to sit out back with a shotgun like some crazy hillbilly.) Oh and get this — researchers at the University of Rochester did experiments on the way color affected how attractive men found women.  Pictures of women framed in a red border were deemed “more attractive,” and the same woman in a red dress was more likely to score higher as well.  My favorite part is where they figured out that men would spend more money on women wearing red.  (Take note, ladies.) Red didn’t change how women viewed other women, nor how the men judged the women in terms of likability and intelligence.  Does this somehow connect back to our primate days and bright red baboon butts?

A Flock of Cardinals

A Flock of Cardinals

In medieval times there were strict clothing regulations — gorgeous pure colors of cloth were only to be worn by the rich nobility (hence the peasants and surfs were always scrabbling about in their drab brown rags).  Wearing a red cloak or coat was only an option for the wealthy or higher ups in the church — a way of broadcasting their power over life and death.

For me, there’s something really classic and gorgeous about huge folds of red fabric, whether it’s drapery or clothing.  And I really slave over those reds, layering them up with different colors and tinkering around until they’re very glowy and bright.  Which is terrific in a painting, but not so easy in the printing world.

Red bits from some of my paintings

Red bits from some of my paintings

When we got the first color proofs of the book we all noticed that the reds had a not-so-wonderful, dead-ish quality to them.  Like old luncheon meat.  It was red, but it wasn’t my red.  I think of my red as a screaming-Corvette, blood-spurting, cardinal-on-fire blazing red.  The good news is that the fab folks at Chronicle agreed that the reds in the color proofs weren’t up to snuff, so they’ve gone back to the drawing board to see what can be done.

The ever-terrific Beth Steiner explained it to me this way:  ”Basically, the red color in the transparencies is unachievable in regular four color process printing. It’s “out of gamut” meaning out of the color spectrum we can capture. So, in order to make the reds more vibrant, less dull, and closer to the originals, we are exploring using a special magenta ink.

The test sheets we currently have use a Rubine Red, which is a special ink made by IPI inks. In talking with the prepress house yesterday, they felt that they might get an even better result going a different route – printing four color process, but then adding a PMS ink “kicker” in the reds, essentially printing the book 5 color. “

So we’re messing around with that and I hope everyone enjoys oggling the blazing inks they’re working so hard on.  Fingers crossed they print really RED!

Happy New Year!

Well it’s official — the book just showed up on Chronicle Books’ site and print catalog and it looks a little something like this –

tender1

Hot diggity!  I’ve been fondling the color proofs, which are gorgeous, and the proofs for the special endpapers printed with nifty metallic inks, and all the other goodies and special bits.  It’s coming, folks, it’s coming!  (Hit the link to read the full description and to see this page bigger than a match book.)

Cover Me

I’ve been itching to show some of the work that’s been coming along on the book and got the AOK to share this with you — the final (I think) version of the cover. The type on the front will be in silver foil.  I LOVE IT.

The Art of Isabel Samaras"

It’s not a really, really wide book — what you’re seeing is the full wrap of the cover with the right hand side being the front and the left hand side the back.  Fabulous, fabulous design by Catherine Head (aka “Cat Head”).

Outside Of A Dog

Outside of a dog, a book is man’s best friend. Inside of a dog it’s too dark to read. ~Groucho Marx

So where the heck have I been, huh? Well since you asked — I’ve been working on my book. Yup, that’s right. If you could hop in a time machine and set it for next spring, you could hold a copy in your hands right now. (For those of you without a temporal device, I’m afraid you have to wait — the book doesn’t exist yet.)

Ceci n\'est pas le livre.

This is not “The Book.” The Book is being published by Chronicle Books and will be, you know, bigger and nicer and probably have a picture on the front.  This is my little notebook where I’ve been scribbling ideas for The Book, like some cover ideas (my preferred medium here is color copies and the gold foil wrappers from premium chocolate bars)…

…and all kinds of crazy things we can’t do because of something called “a budget.” So while there wont be pop-ups and cut-aways and real gold leaf, there will be lots and lots of beautiful pictures — and I’m not just talking about the paintings. When I look at art books I often find myself wishing there were pictures of the artist’s studio — I want to see where they work, how things get made, what kind of things they have kicking around, I want some visual flavor and background. So we’re including snaps of drawings and paintings in progress and some really groovy pictures of the studio by amazing photographer Bart Nagel.

His pictures are so fab and so numerous I wish I could just make an entire book out of them. Plus he’s just an incredibly swell guy.

And this is the blank model of the book. Holding this thing, even though it’s blank, electrifies me. I am giddy-over-the-moon excited and everyone at Chronicle Books has been outstanding — Alan, Beth, Bridget, and Cat (who’s technically freelance). They seem as excited as I am, which is always a nice feeling in one’s publishers. In addition to the book, there will be a postcard book and a deluxe Limited Edition of the book with a special goodie. Did I mention giddy-over-the-moon? I did? Well I still am.

Check back here for progress reports, maybe I can sneak out some preview pages as production rolls along. And now that I’ve finally delivered all the artwork to Chronicle I’ll try to post more regularly!